Staff Sketchbook Circle - Yvette Hughes, The Brooksbank School

The joy of teaching Art had begun to escape me in 2014, a chance conversation lead me to NSEAD Online, the Sketchbook Circle and an opportunity to attend Susan Coles’ well-being CPD at the Baltic. From this time I have not looked back.

From January 2015 I began to realise how important my love of Art was and how vital it would be in restoring my work life balance and my general well-being. My sketchbook partnerships with Elaine Humpleby and Helen Homewood throughout this year nourished my soul, revived my creativity and challenged my artistic approach. Every month I took my TEA sketchbooks into school to share with students and staff.

The joy of the circle was infectious and it dawned on me that the benefits I had experienced perhaps could be shared in my wider school community. I floated the idea of starting a staff circle, thinking five or six might join, I did not expect forty two and certainly did not expect our rugby loving Head Teacher to be one of them.

Once the circle had begun in September staff made time to chat on the corridors about their books rather than the usual moans and groans, data or Ofsted. A wide range of staff joined with an array of skills and experiences including:

The Deputy Head used textiles, an Assistant Head worked with photography and poetry, the ICT technician experimented with stained glass. We had a doodling PE teacher, jewellery-making chemistry teacher and a history teacher who made music. One of the most diverse groups has involved our jewellery-making chemist passing a silver clay bird onto an art teacher who responded with weaving, that passed on to our musicial historian who wrote a piece of music in response to the previous two items to complete the cycle our technician responded to the music through some wonderful photographs.

One of the most special events has been a sketchbook day, eight staff attended a workshop/well-being day where we “made”, chatted, shared, ate soup and generally had a revitalising day. Now members of the staff circle come to my student sketchbook club and share ideas.

The year has been fascinating for me, I had planned the circle to run like clockwork but have rapidly learned that this is impossible. Due to the demands of life and teaching some members of the circle have had to reluctantly hang up their books; however I have always been able to find replacements. We still have twenty eight members as I write. I have learned that in a busy school environment my role is as one of a plate spinner and as long as some people are doing something creative then this is an achievement.

Partly a result of my new found confidence and creativity I plucked up the courage to apply for a position of a Head of Art, I was able to talk about the TEA circle and my school circle in my interview. I was lucky enough to get the job so sadly will have to walk away from the circle at my current school. I look forward to an end of year exhibition which will celebrate the adventures of the circle and hope to round it all off with a final workshop.

I have already had several conversations about who will run the circle when I have gone (no mention of the circle folding!) Most satisfyingly I have had members of staff saying they will carry on with their own work in their books, even if they do not carry on in the circle.

This has been a great exploration of creative community, collaboration, conversation and the power of Art to unite and empower staff during difficult times.

Link to Facebook Group :

https://www.facebook.com/groups/1201546306538146/

School Sketchbook Circle- Suzanne Chalke, Hinchley Wood School

 

 

I launched a whole school Circle after attending an annual NSEAD conference and joining the TEA sketchbook circle for the first time. This was done with much uncertainty and apprehension as I had no idea whether I would have ten or 200 volunteers; the final figure was a nice manageable 48 ranging from 11 year olds who had just entered the school to staff members about to retire.

I linked artistic styles and preferences but also opposite approaches to create challenge and to get participants out of their comfort zones.  I also wanted to use the Circle as a mentoring programme as much as an art club and therefore spent time considering which people would work best together in terms of personality. For example, I paired up some shy Year 7 students with Year 11 mentors to give the younger pupils a sense of security knowing they could turn to an older student if they needed to.

Students embraced the project however teachers took a little more convincing as they claimed they were concerned about the time involved.  It became apparent that worrying about time involved was not the whole story– lack of artistic confidence also played a big part but by the end of the Year most staff members had thoroughly enjoyed themselves claiming that the Circle had caused them to slow down, become more creative and do something for themselves.

I was particularly surprised with how quickly and how successfully the younger students upped their game. The way they embraced the freedom the Circle offered them and the quality of the work they produced was inspiring.  We would meet every month to swap books. The sense of excitement waiting for everyone to arrive and the suspense of waiting for the reveal was infectious.

I decided that each month would change thematically. For example, some of the themes were: collage; only black and white; words and lyrics and a photographic element. Some of the students liked the guidance the themes gave them whereas others felt out of their comfort zone but enjoyed the challenge. One Year 8 students commented that “It was great try new effects, techniques and materials as I’d only ever felt comfortable drawing before.  I loved using Photoshop and image transfer.”

Unlike the Sketchbook Circles I had been involved in with NSEAD where you rarely get to meet your partner, at Hinchley Wood it was very much a face to face experience.  Those involved would sit and have conversations, be nosy and look at others works. Unfortunately, there was the occasional knock to confidence if one partner was of a higher ability than the other.  There were inevitably comments like “I’m not as good as her!” but over the course of the year those who had begun less confident learned from others and broadened their skills base.

Of course there were teething problems. One of the main issues was the lack of boys which seems to highlight the national concerns of art being a female dominated subject. In addition to this, another problem was that not everyone would remember to turn up for our monthly meeting meaning that some of those involved missed out on the excitement of receiving their books back and any subsequent conversations. A number of students often said that they were disappointed with their final work because of rushing due to homework deadlines or revision.

A private show was the culmination of everyone’s efforts when staff, students and parents were invited to view the hard work produced over the year.  This was ultimately the final full stop to a thoroughly enjoyable and brilliant experience. I am now launching Hinchley Wood Sketchbook Circle 2.0 ready for this September, hopefully linking with another local school and can’t wait to see new faces and all the excellent work. 

 

Featured Artist: Surface Pattern Designer Tanya Paget 'Albaquirky'

Elinor Brass interviews Surface Pattern Designer Tanya Paget AKA Albaquirky, about her current projects, influences and how Sketchbook Circle has impacted on her practice.

How do you balance your design work alongside your teaching role?

I work part-time in a big FE Sixth Form College in Luton, currently heading up our Visual Arts A Levels.  It is a challenge to juggle my various responsibilities alongside design deadlines; detailed time planning is key.  I’ve yet to meet a teacher who doesn't love a list, I use an app called Trello to make lists under lots of headings (called boards in Trello) and jot notes and ideas down as I have them on the move. Trello works for me, as I can restructure and prioritise if deadlines and timeframes change. I start the day and finish the day with a review of my Trello tasks to keep me on track.  

Albaquirky 'Falling Softly'

Albaquirky 'Falling Softly'

Tanya Paget's studio

Tanya Paget's studio

 If I'm working to a big deadline like a trade show, I will also draw up a large week by week calendar on big sheets of paper and pin it up on the studio wall.  I use post-it notes and colour coding to manage the different elements of working to a big show, the creative work on  collections, but also all the other aspects of the project like finance, social media, printer deadlines, marketing, etc. That very visual and physical representation of time, including movable tasks on post-its really works for me to manage a big project effectively.  

The design work feeds into my teaching and vice versa in lots of ways and there is lots of cross-over in my thinking time.  However, I’m very disciplined about when it comes to sit down and allocate time to either role, studio time and college/education time are kept completely separate. It think it helps that those things happen in different physical spaces; my studio and my desk at college. I have previously managed very big teams and had significant roles of responsibility, so to keep sane you need to develop ways of drawing boundaries, so this experience keeps helping me with balancing today!

Albaquirky 'Festive Berries'

Albaquirky 'Festive Berries'

 What are you working on at the moment?

 Wow, lots! I’ve just finished a set of new colour ways of my ‘Machair’ wallpaper design stocked by Feathr and signed the rights over fully to them, so they can take it forward to some international distribution deals. Feathr showed the design as part of the London Design Festival at Tent London back in September – it was so amazing to see the work on display beside such talent and it even got a little love from some bloggers and featured in the Evening Standard Homes and Property section. I have recently signed a contract with a really cool studio/agency called Collect Scotland. I will be showing with them at Premier Vision, Paris in February ’16. From November to now my work has been about putting together new collections and preparing older designs for the Paris show. I’m exhibiting 60 pieces it has been exciting to see them all together and nerve wracking to parcel them up and send them off! I am also part of a collective called Finch & Foxglove who are exhibiting at Surtex in New York in May ’16. So, I’m currently putting together collections for New York. Some of the focus for buyers at the May show is around designs for Christmas, I’m just finishing a collection with a festive focus. All a bit unseasonal, but at least it isn’t warm and sunny outside yet! I keep an eye on trends, but only design to them if they align with ideas I want to do.  The ‘Naive Exotics’ trend is next on my list to do a bit more work around; the house plants are about to get a whole lot of focus, and I’ve been wanting to work some green Parakeets into a a design for a while.  I used to live in South London and enjoyed the surreal juxtaposition of grey council estates and flocks of green parakeets with attitude, they have embedded themselves in my subconscious so I need to get them out onto paper.

Albaquirky 'Mistletoe'

Albaquirky 'Mistletoe'

A glimpse in to Albaquirky's portfolio

 What have you gained from the experience of being in Sketchbook Circle?

 Being part of the sketchbook circle has been a significant catalyst for me to go on a journey towards a more balanced existence as both an educator and creative.  The idea of collaborative working and the physical sketchbooks themselves have made their way into a number of educational projects with my students.  

 The concept of the sketchbook circle came for me as a way to start making work again.  At the time we set it up I was working full time as a Head of Art. I was only very sporadically making work in the holidays, for the rare design job or at creative workshops (where Elinor and I met).  The ‘trick' I wanted to play on myself was that by signing up and committing to a monthly creative task with two others, I could no longer keep putting that vital creative activity to the back of the to-do-list.  I knew I couldn’t let my partners down. My trick worked, silly isn’t it, that I struggled to do it for myself, but rope some strangers in, give myself an additional complex project to co-coordinate and I’d do it!?  

 I started regularly drawing and making.  I loved it.  I realised it was a big problem for me to have let myself get to a stage where such an important thing for me had got shunted to the bottom of my list.  I wanted more. In 2012 a friend asked me to design a limited edition wallpaper pattern under their brand (Werkhaus) to be sold in a London pop-up shop ‘House of Voltaire’. I loved the challenge of  working in repeat and with rhythm, it ticked all my boxes and interestingly unified a pretty diverse set of experience and training as an artist and designer. Pattern was an area I’d not worked in before. The idea for albaquirky was born, I’d caught the surface pattern design bug and wanted more.  

 I went on to study surface pattern design through a number of online courses, this was a really interesting experience as an educator to study this way.  I’d trained as a Fine Artist and then worked for six years as a designer in motion graphics and print, then moved into teaching, so felt I needed to up-skill around the art of pattern making. At this point I was a Head of Faculty and my college was supportive in my request to step down and move to a part-time post, so I could balance my study with education work. This journey has taken me to the stage of having two major international shows in the diary this year and I’m in discussions about a third in September.  Take care, the sketchbook circle can take you to some exciting destinations!

Albaquirky ' Tinsel'

Albaquirky ' Tinsel'

 What advice would you give to those who are new to the circle?

 Relax and enjoy!  Play! Think of drawing in it’s purest sense, the making of marks.  Go with your instincts.  There is no right or wrong. When we set it up, we focused on little steps at a time, make a mark, send it off, do what you can. Your collaborators get it, they are educators too, some months are easy and some hard.  It is a game of call and response and no one is judging you. I feel quite excited for new comers to the circle! It is such a fantastic community of art educators to be a part of. The Facebook group is an exciting space to share and be involved in that community. White space can be daunting, but once you jump in, there will be no stopping you!

 

Twitter: www.twitter.com/albaquirky_

Instagram: https://instagram.com/albaquirkydesigns/

https://www.instagram.com/finchandfoxglove/

Collective: www.finchandfoxglove.com 


Albaquirky 'Oh My Darling'

Albaquirky 'Oh My Darling'

Sketchbook Circle 15 Exhibition and Workshops at The Gerald Moore Gallery

On the 20th February 75 art teachers travelled from across the country to Gerald Moore Gallery for a day of collaborating, experimenting and networking.  It was a celebration of another year of Sketchbook Circle, kindly part-funded by Arts Council England and with the backing of the Big Draw and the NSEAD. 

The day began with the chance to take part in one of four very diverse workshops led by art teachers in the circle, giving participants chance to spend a morning playing with ideas and materials across the different spaces in the gallery and in the school theatre.  There was the opportunity to reconstruct vintage film posters, to work with stitch, to play with mark-making or a session on Cyanotype photography.  

After lunch we opened an impressive exhibition of work in the gallery of images that produced by teachers involved in the 2015 Sketchbook Circle giving everyone chance to see other sketchbook exchanges and to celebrate the achievements of the project.  It was particularly nice that teachers met the person that they had collaborated with for a whole year.  The afternoon was finished off with a session of collaboration and performance led by Susan Coles, encouraging people to work in new ways and to consider different approaches to making art making.   It was such a brilliant day!

Thanks to everyone who contributed, especially Ollie Briggs, Georgia Naish, Alison Mure, Susan Coles and Elaine Humpleby for their fantastic workshops, thanks to Diane Bruford, Susan Coles and Louise Wisdom for all their help setting up the exhibition and thanks to Charlotte Cranidge and the gallery team for all their help on the day.  

If you attended and you haven’t yet sent us feedback, please can you send it back asap?   We are really keen to see what other workshops and events could be offered.

Ollie Briggs

I remember attending last year’s Sketchbook Circle exhibition and being struck by the diversity and seemingly limitlessness of those little humble sketchbooks. I absolutely had to get involved. Imagine my excitement (and intimidation) at drawing the RT honourable Susan Coles (Past President NSEAD) as one of my partners. We began our negotiation of space and materials with fiery responses to news events both political and social. We layered text, appropriated images to create satirical collage and damning statements against our useless education minister. Meanwhile, in book no 2 playful shapes and patterns by Nikki Allan provided a different approach altogether. When else would I get the chance to collaborate with 2 artist teachers?  The time I set aside to work on my books would rarely be found otherwise. I make quite a bit anyway but the attention required to respond intelligently and creatively to others’ work is what made this process so valuable for me.

Sketchbook Circle 2015

Sketchbook Circle 2015

 

There’s a reason it’s not called the ‘sketchbook line’. Our reciprocal dialogue is symbolised by the never-ending path of a circle. Sure, our monthly exchange of ideas moves rotationally but I’m inclined to say that the circle goes deeper to represent our community. We are all connected by the circle and we know that our practice, as artists also never ends. Marlow Moss says ‘Art is as life, forever in the state of becoming’ and so we move into another year, another cycle, another sketchbook circle.

Sketchbook Circle 2015

Sketchbook Circle 2015


I graduated from Camberwell College of Arts in 2005 with a BA in Drawing. The course was rooted by the idea of visual thinking where the art 'object' is replaced by art 'process'. For this reason it's hard to catogorise my practice by media or discipline. However, photography has been dominient in recent years and this has helped me explore an underlying theme of 'relationships', be it with people or place. I have worked with documentary video, animation, printmaking and digital collage as well as design and various drawing practices. I have recently launced several school based projects. 'FlipED' uses digital media to connect students with working artists and 'Action It' is an arts activist organisation, which aims to engage young people in social issues through art making. 


I am currently studying for my MA Artists Teacher at Goldsmith University.


Website: http://www.oliverbriggs.co.uk/ 

Twitter: @obrigo1